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《2040》是一部面向未来的创新专题纪录片，但现在至关重要。获奖导演达蒙·加缪（Damon Gameau）踏上了探索2040年未来的征程，如果我们仅仅接受现有的最佳解决方案来改善我们的星球，并将其转变为主流。作为一封写给4岁女儿的视觉信，达蒙将传统的纪录片镜头与戏剧化的序列和高端视觉效果融合在一起，为女儿和地球打造了一个视觉板。　　姜洪武的亲人都不在了，家也没了。年幼的场景、熟悉的街道已经变成一片废墟，随着梦境渐渐远去。姜洪武被生死兄弟郭小东接到了自己的家里，而郭小东的妻子吕梅却极不欢迎他！描述一位智勇双全却孤军奋战的刑警，如何在因缘际会之下，结识一群富有正义感，各有所长的朋友，成立了专门揭发黑金政治黑幕的团体，进而展开一连串打击犯罪的行动……　　不同于韩剧惯用的都市浪漫风格，该剧以冷酷而更倾向于社会写实的手法，描述一位智勇双全却孤军奋战的年轻刑警郑民秀（宋承宪饰），如何在因缘际会之下，结识一群富有正义感、各有所长的朋友，成立了专门揭发黑金政治黑幕的团体——赞武团。一群年轻人，为了正……峨眉派长老一听到这话，顿时须发皆张，怒火冲天，悍然出手。From this case, we can sum up the value of recommended content. First, we can meet users' content consumption needs and make it easier for users to see the best quality and most typical content. This is consistent with the root cause of making content products, but there are four other functions:Let's understand such a problem first, If our front-end development needs are the needs given to us by the demand side, It is possible that a front-end developer will deal with multiple demanders, Therefore, it will keep in touch with multiple demand parties. Then in the program it means keeping references to multiple objects, The larger the program, There will be more and more objects, The relationship between them will become more and more complicated. Now if there is an intermediary (if it is our supervisor) to meet the needs of multiple demanders, Then the demander only needs to give all the requirements to our supervisor, who will assign tasks to us according to our workload in turn. In this way, our front-end development does not need to contact with multiple business parties, we only need to contact our supervisor (i.e. Intermediary), which weakens the coupling between objects.大楼主江大富自己住顶楼，将大楼其它房子统统出租，当个每月收租的房东。大楼内住满了各式各样的人，但彼此却不相往来，大家各过各的日子。直到最近，大富唯一的孙女秀娟要出阁了，整栋冷漠的大栋才热闹了起来。教堂婚礼时，大富的临门一句“入赘”引起轩然风波，新郎落跑了。大富为了面子，决定在一个月内将秀娟嫁出。于是，四面八方的介绍纷纷出笼，暗恋秀娟十年的“X情人”也被引出来，而且不止一人……