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《美国丽人》这部1999年度的第72届奥斯卡最佳影片犀利地揭示了美国日常生活的“众生相”。 它以一个典型的美国中产阶级家庭为例，展示了隐藏在美国社会肌肤内的种种“癌症”。该片渗透着浓烈的嘲讽精神，所有角色的表演都可圈可点，摄影，剪辑，配乐等都令人叫绝，但最出彩的“神来之笔”却是一个冗长的空镜头：一个被人用过扔掉的垃圾袋在地上随风起舞，飘来飘去不知归宿在哪里。　Bedtime Story -- 西野加奈联邦星舰"航海家号"被一股神秘的外星力量送入了δ象限, 船员们面对的是一条长达75年的漫长的返乡旅程。主人公萤（大友花恋）从中学时代开始与单恋对象大高莲（甲斐翔真）和好友山本栞（喜多乃爱）一起在修学旅行途中遭遇巴士交通事故而丧命。出现在变成幽灵的萤的面前，死者的向导人·小关(小关裕太)。宣告如果不解除这个世上留下的三个留恋，就不能成佛。萤注意到恋慕的一个要向单恋5年的莲表白。但是，在莲面前无论如何也不能传达感情···。萤的决心之前的秘密是？意料之外的最后，流出了温暖的泪水。要是没有骂声，我才担心，因为那只会说明这部剧人气不高。Aban was born in Portland, Oregon, USA in 1884 and died in 1955. He was unmarried and childless. Aban did not like to live in conformity with the rules. In 1905, when he was just in his third year at Stanford University, he dropped out of school to join the society and got a job as an intern reporter. Before coming to China, he had been immersed in the US press for 21 years, and the highest position was editor-in-chief. During this period, Aban did not consider getting a wife and having children. He just changed jobs frequently and wrote in the mountains. In short, he hated any fixed day. After all this trouble until I was in my early 40s, I suddenly had a whim to enter the world in the Far East and came to China.