The original title of this book is "My Years in China, 1926-1941", and some editions are also called "15 Years in China". The book was published in 1944, four years after he went to China. The book is divided into three volumes, 36 chapters and a postscript, which has been translated into about 200,000 words in Chinese. Foreign journalists have written a lot about this period of China's history, but Matsumoto's emphasis on history, Bai Xiude's emphasis on political diplomacy, and Si Nuo's and Harrison Forman's "Report from Red China" are all different from Aban's books. Aban's book takes the form of a memoir. He has information, but it is not a record. There are a large number of historical fragments, but they are not historical works. Having personal experience, but not autobiography; There are anecdotes, but they are not anecdotes. This book is about the practice of American-style news interview, but the place where it is put into use is the ancient China that is changing in the ascendant. Liberalism's news concept and American interview operation collide with China's reality everywhere. The conventional skills of Western journalists are not enough to cope with the situation in China. He must deal with and adapt. Sometimes it is cruel, sometimes it is clever, sometimes it is compromise, but it must stick to the bottom line of truth and justice. He wrote the scenes in the interview history based on the reporter's personal experience. After reading it, I saw not only the historical situation, but also how history was projected to the media. The author's knowledge is limited, and the books he dabbles in, such as Aban's book, have yet to be discovered.这世上事从来就是福祸相依的：书院建在这里，清南村人得到的好处是不用说了。Cyber warfare is different from nuclear weapons. Countries secretly develop nuclear weapons. If nuclear weapons are deployed, citizens will suffer more than leaders. It is very likely to ensure "mutual assurance of destruction". The transparency treaty has been committed to the stockpiling of nuclear weapons by all countries and prohibiting the deployment of nuclear weapons. Perhaps the same applies to digital warfare?Take steak as an example. I only like medium rent when eating steak, that is, it is 3-4 rare. In the past, depending on the thickness of the steak, the central temperature will reach about 50 degrees when each side is fried for 1-2 minutes. At this time, the inside of the steak will be very attractive red and the taste will not be tender. In addition, when processing some seafood products, the temperature can be fixed in the range of 70-90 degrees, thus prolonging the cooking time, thus better ensuring the taste and preserving nutrition. Finally, since the food materials in the vacuum sealed environment have little contact with air and the juice can be locked in the bag, the produced food materials will be more juicy and will not be oxidized and discolored.生活在京都的天童纯是个不太有自信的十五岁男孩。父亲七年前死于事故，此后纯一直和母亲两个人过日子。这天，纯在放学回家的路上被神秘魔物追赶，危急之中逃入一所古寺，僧人源云救了他。谁知纯就此被带往时空的彼方…… 恢复意识的纯发现自己竟身处平安时代的京都。纯从贵族那里听说了关于“鬼”的事情。“鬼”使用各种妖术操控自然、危害人们的生活。而穿越时空而来的纯正是能唤醒幻之大蛇、结束纷争的“拯救之神子”。了解到自己的身份之后，纯感到不知所措。 鬼族少女水叶告诉纯，“鬼”并不是恶魔，而是力图与自然共存的人。哪一方说的是真话？我又该守护哪一方？在纯的踌躇矛盾之中，人与鬼的大决战临近了……NHK第49部大河剧。以三菱財閥創業者岩崎弥太郎的視点出发,描述坂本龙马33年的生涯。本剧为原创剧本，将以幕末时首屈一指的企业家岩崎弥太郎的观点出发，岩崎弥太郎与阪本龙马同样出身土佐藩，两人之间曾有深交，弥太郎并且在龙马的海援队担任过会计职务。明治维新後，弥太郎也开创了三菱财团。 本剧为大河剧史上第二度将坂本龙马的一生搬上萤幕，上一回以龙马为主角的大河剧，是1968年的《龙马来了》（改编自司马辽太郎的小说）。本剧的剧本则由《HERO》等著名日剧的编剧福田靖所撰写。《天才进化论》是由学大教育、灵思沸点影业联合打造的一部教育题材情景喜剧。故事设定在一所中小学个性化教育辅导中心，以一群热爱孩子、极富幽默感、个性鲜明的青年老师对学生进行个性化辅导，解开孩子成为天才的密码为故事主线。每集以情景喜剧的形式抛出一个源于真实生活的教育问题，描绘孩子与父母心目中的理想学校。
