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在泰国，大多数大学都有新生欢迎活动，但对于部分大学新生来说，这并不是一件令人期待的事。因为在少数高校，高年级学生会借机“欺负”，甚至是“羞辱”新生，而“欺负”的传统呢。　　時光在一瞬間回到了1995年5月9日，鄧麗君過世的這一天，開啟了阿遠、俊朋、博啟及小光的青春歲月，當時他們17歲....戴拉因为一场事故失去了父母。且遭到了法庭不公的审判，生活因此发生巨变。只能和姐姐二人搬去奶奶家生活。戴拉开始努力学习中文。因此结识了出身富贵却同样憎恨不平等的阿卡，并渐渐爱上了她。One day, her child said to her,这是九个女人悲惨命运的故事。九个故事向世人警示着一个发人深省的主题。千百年来东方女性，特别是那些受到伤害的女性，她们走的是毁灭自我达到复仇或解脱的老路，这条路甚至延续到现在。本剧旨在呼唤女性要强化自尊、自爱、自强、自立的生存意志；呼唤女性在坎坷人生旅途上，要善于化解恩怨，要敢于用法律的武器惩治邪恶、保护自己；呼唤全社会要对女性更多一些尊重、关怀和理解，给女性更多一些温情和她们最需要的……Let's understand such a problem first, If our front-end development needs are the needs given to us by the demand side, It is possible that a front-end developer will deal with multiple demanders, Therefore, it will keep in touch with multiple demand parties. Then in the program it means keeping references to multiple objects, The larger the program, There will be more and more objects, The relationship between them will become more and more complicated. Now if there is an intermediary (if it is our supervisor) to meet the needs of multiple demanders, Then the demander only needs to give all the requirements to our supervisor, who will assign tasks to us according to our workload in turn. In this way, our front-end development does not need to contact with multiple business parties, we only need to contact our supervisor (i.e. Intermediary), which weakens the coupling between objects.《多样的儿媳》讲述一对冤家双胞胎姐妹恩星(咸恩静 饰)与金星(李珠妍 饰)成为宿仇对家的儿媳后重逢发生的冤家故事[2]  。在剧中，恩静将饰演从小就与异卵双胞胎姐姐在妈妈的差别待遇下长大的出版社职员兼代笔作家黄恩星（音译）。