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The intermediary mode is often encountered in our daily life. For example, we go to the housing intermediary to rent a house, and the housing intermediary forms an intermediary between the renter and the landlord lessor. The renter does not care who rents the house, and the landlord and lessor do not care who it rents to, because there is an intermediary, so the intermediary is needed to complete the transaction.洁西卡·琼斯是个嗜酒成性、容易发怒、生活混乱的女人，尝试在纽约市靠做私家侦探维生。她能力超强，但却被黑暗的过去阴魂不散地阻碍她成为真正的英雄。The policy mode is the packaging of the algorithm, which separates the responsibility of using the algorithm from the algorithm itself and delegates it to different objects. Policy patterns usually wrap a series of algorithms into a series of policy classes. To encapsulate the policy pattern in one sentence is to "encapsulate each algorithm into a different policy class so that they can be interchanged". The following is the structure diagram of the policy mode:夏侯婴听到刘邦安然无恙离开，心中放下的石头总算是落地。那么他们确实是‘打破虚空，见神不坏的境界。青春期女孩琳琳和母亲的两人相依为命，琳母对其极为严苛，琳母更是因为年轻时的情殇，反对琳琳与异性有任何来往，然后事与愿违，这花季年龄怎能抵挡爱情的诱惑呢。琳琳发现其母犹如鬼魅般形影相随，所到之处无不见其身影，怪事也接二连三……到底是琳母所为的还是别有隐情？一场意外的停电事件开启了古镇的诅咒，民宿老板讲述了关于提琴的传说，四人觉得此事极其荒诞、难以置信。然而恐怖的事情接连发生，众人早已在琴声响起之时就陷入了一场无法退出的死亡游戏之中，他们一个个离奇的失踪…恐怖笼罩着整个古镇，究竟谁是凶手？比鬼神更可怕的是人心，猜忌和怀疑在弥散，恐惧和杀戮在继续，真相如何？结局峰回路转，既出人意料，又在情理之中一部黑人歌舞音乐片，关于大萧条时期南方一家非法经营的酒吧。